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To-day is cool, and calm, and bright. Almost one fancies the first faint breath of spring has touched one's cheek, though as yet January has not wended to its weary close, and no smallest sign of growth or vegetation makes itself felt.,Mona is happier than words can say. She is up to her eyes in the business, that business sweetest to a woman's soul, the ordering and directing and general management of a trousseau. In her case she is doubly blessed, because she has the supervizing of two!,Then they do the grotto, and then Lady Lilias once more leads the way indoors.,The old man followed close after it, and as he ran along he came to a place where a great clot of blood had fallen from the buffalo's wound. When he came to where this clot of blood was lying on the ground, he stumbled and fell and spilled his arrows out of his quiver, and while he was picking them up he picked up also the clot of blood and hid it in his quiver.,Taking up the hapless heather, she throws it on the ground, and, in a fit of childish spleen, lays her foot upon it and tramples it out of all recognition. Yet, even as she does so, the tears gather in her eyes, and, resting there unshed, transfigure her into a lovely picture that might well be termed "Beauty in Distress." For this faded flower she grieves, as though it were, indeed, a living thing that she has lost.,"We," said the Raven chief, "are those who carry the raven (Măs-to-pāh´-tă-kīks). Of all the fliers, of all the birds, what one is so smart as the raven? None. The raven's eyes are sharp, his wings are strong. He is a great hunter and never hungry. Far off on the prairie he sees his food, or if it is deep hidden in the forest it does not escape him. This is our song and our dance.",Mona, drawing a chair to the panelled wall, steps up on it, and, pressing her finger on the seventh panel, it slowly rolls back, betraying the vacuum behind.,"Why, indeed, unless you wished to possess yourself of something in the old room?","Yes, I shall say——" anxiously.,Geoffrey coming to the farm somewhat early in the evening, Mona takes him round to the yard, where two dogs, hitherto unseen by Geoffrey, lie chained. They are two splendid bloodhounds, that, as she approaches, rise to their feet, and, lifting their massive heads, throw out into the night-air a deep hollow bay that bespeaks welcome.,Two o'clock! The song dies away, and Mona's brow contracts. So late!—the day is slipping from her, and as yet no word, no sign.,"Don't say anything more," says the girl, almost passionately, drawing back from him as though afraid of herself. "Do not. The more you say now, the worse it will be for me by and by, when I have to think. And—and—it is all quite impossible.".